Hippos - The House Of Billiards

The Care & Feeding of a Fine Pool Cue

Seminar by Richard Black
as part of the 1980 Pool School
given by Jerry Briesath, in Houston, Texas



Introduction

A pool cue is like a fine, musical instrument or a luxury custom car, they're well-made; they can do damage; you can do damage to a fine car or musical instrument, you ought to take care of it. Get it taken care of by someone who knows what they're doing - just not any shade tree mechanic, because they butcher it real fast. And that hurts. I think it will hurt you if you have to pay the repair bill.

I want to start at the tip of the cue and work my way down and tell you my feelings on how things ought to be done in taking care of a cue. There are 8 sections to this page. Click on a link to go directly to the subject you're interested in, or just read the whole article to get the whole picture.
The topics are:

The Tip

First of all - there are a lot of different tips, and different hardnesses, and you'll find from experience what you like and what works best for you. There are American made tips, French made; leather, composition. You can only find through experience what you like, but one of the most important things is the contour of the tip. Some people say it should be the contour of a nickel, others say a dime. I think the dime is the right contour. You get better action on the ball if you maintain them that way.

On the sides ; any piece of leather is going to flatten out as it's hit on repeatedly. So you've got to do two things:

First, take your finger, spit on it, wipe it around the edge of the tip and then on the table rail just polish it back up. What this does is case hardens the side of the tip. It will help prevent flaring out. Still, it will leave the top of the tip the way you want it so it will hold the chalk. Some people use files and scuffers to keep that real fluffy look - I never touch it. As long as I can get chalk to stay on there, that's all I want.I don't want to mess it up. Anytime you start fooling with it, you run the risk of tearing open the pores of the leather and making a sponge out of it. You can't hit the ball good with a sponge. Keep your leather firm, shaped right, and hold your sides down.

Second, these things will flare out - you may bot be able to come by here and get it shaped, so here is the way to shape it. Take a piece of masking tape or scotch tape and wrap it around your ivory ferrule. Take some sandpaper and form a little cup and then start rotating the shaft around and sanding that little flare off. You have the tape on there because if you've got an ivory ferrule , you don't want to be sanding a taper into that ivory ferrule. All you're doing is taking that leather off - not hitting your shaft wood, not hitting your ferrule, just hitting the leather. After you've got that down and smooth all the way around. You're rid of that flare - then do the same thing - spit on it, polish it on the rail cloth, bring it up to a shine and now you've got it case hardened again, and every time you play, you ought to do that at least once during the day's session. Then take your tape off and take some steel wool and clean off any of the adhesive that stayed on, then you can polish that on the table rail too.

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Replacing Your Tip

Not always are you going to come over here and get a new tip put on, so so putting a tip on, particularly with an ivory ferrule - you get the old one off and then you, very carefully, clean it because that ferrule now has a very straight surface on there - and it's easy in trying to clean it off, to get it lopsided. You don't want to do that. What I suggest there, is, very carefully take some course sandpaper and clean as much of that glue off as you can without angling the ferrule. Now take a tip and put the sandpaper down on something solid and sand the bottom of that tip. Be sure and blow the dust off of it, put a little while glue onto the tip and then put the tip on. Get it situated in the center of your shaft and then have a wide rubber band and all you have to do is stretch the rubber over the top of the tip, hold on to the sides of the shaft and then wrap it around. That rubber band will now stay there, hold the tip, let it glue good and solid and in a few hours you can work that tip. You can do this yourself.


If you have a plastic ferrule I suggest Super Glue with a primer stick. There is a Super Glue for leather and wood, it works well, but it's got to have the primer stick. You put the primer stick on the top of the ferrule and also on the leather and put the super glue on and you can just stand there and hold it with your finger and, in 30 seconds, it's ready.But don't use that on ivory, because there'll be a chemical reaction with the ivory. Now we've got our tip on here and it's wider then the ferrule, so wed want to trim it down. All you have to do there is get a hard surface and a sharp razor blade and work your way around taking slices, easy cuts straight down from the ferrule. Don't cut the ferrule, and try very hard not to rip the leather open - that's why you want to take slicing cuts across there. You are leaving a lot of tiny little ridges around there that you'll now put a piece of tape around your ferrule, take your sandpaper, cup it, smooth it up again, spit on it, polish it on the rail cloth. Now you have to crown it. Take a course piece of sandpaper, cup it, and then stand there and slowly rotate the shaft and hold the same angle all the way around. Remember I said to spit on the side of that tip before you shape your crown. The reason being is that you want some hardness around that side, because you want a very straight even edge right where the crown meets the side of the tip. Without spitting on it, you aren't going to be able to see it that well. Shape it into contour of a dime then you'll find you have to spit on the side of the tip again and polish it up one more time, and you're there.

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Taking Down The Ridge

Quite often you'll find that a little ridge develops between the wood and the ferrule. This is a common thing on any cue, because we've got two different organic materials that are going to expand and contract at different rates, lose moisture, gain moisture at different rates. You don't like to feel that as it goes through your bridge, so you may want to take it down periodically. I find 600 grit sandpaper will work that down in pretty short order. Just take your time and work that ridge down over the whole area. Once you've done that, you're going to find that the wood is all clean right there and back where you've been playing, it's dirty, so that's going to bother you. I would suggest that as your final thing you go ahead with the 600 sandpaper and clean the shaft off. You've gotten some of the oils from your hands into the wood. That's real important ot work in there. At this point what I suggest is to take some lighter fluid, swirl it on a rag and then rub the shaft real good. Get that lighter fluid into it. Let it dry five or ten minutes - the lighter fluid is going to help to pull any moister inside the wood - out. Then take a little piece of leather and just rub the daylights out of that shaft - I mean get it HOT. This is one time that you can get some heat to a cue. You normally shouldn't but when you're rubbing the leather on here you'll find that it brings all the hand oils right back to the surface and you've got a real fine finish on the shaft. Under normal conditions, if you're not having to go through the sanding for a little ridge at the ferrule, and you want to clean your shaft, take a slightly damp soft cloth, wipe the grime off - because it's going to happen, I mean playing on any table where there's chalk, or powder and all, you're going to get your hands dirty and it will transfer to the shaft. Use a slightly damp cloth, then take a dry cloth and rub the daylights out of the shaft. If you want to take leather over that and work it up hot and you'll find that you've got a real fine playing surface.

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Get That Dent Right Out Of Your Shaft

Sometimes you will get a dent or ding in your shaft - you hit a light fixture, or something else. If you get a dent in your shaft, you can raise it out, because remember al that's happened is that the wood has dented in, so the wood's still there - all you have to do is bring it up. Take a piece of fairly coarse sandpaper, rub it up against that point where you want to raise it to break the finish. Take a drop of water on your finger, put it on the dent and let it dry about 15 - 20 minutes. That will raise that wood right back up. Take 600 grit sandpaper - don't every ever anything use than 600 sandpaper on a shaft - I don't like to use any sandpaper, but when you have to, that's the coarsest you should use. When the wood is dry and the dent has come back up, sand off that ding over a wide area and rotate it around a little bit, then the leather - polish it up and you're right back where you started.

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Warped Shaft

Some shafts will warp; there's no getting around it. All that you have to do is to sight the shaft. In sighting the shaft, hold it where you're sighting against something dark; you'll get a much better view of it that way - find the high spot, then holding at the joint, put your hand on the high spot, the tip on the table, and you can press that thing right in. You just sort of iron it out with your hand, press it right in, sight it again - see that you've got it straight - and 90% of the time, that shaft will stay straight. It may not - you may have to go through it several times; if it doesn't stay straight, then it's just a bad courser of wood and you're going to have to get a new shaft.

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No Butts About It

Now, on the butt of the cue, you really only have two areas to be concerned about - the finished area and the warped area. On the finished area, I like to take just some Pledge - spray it on, take a soft paper towel and wipe it off. That's just the hand oils and grime from the table that get on there. On the wrap - if you're playing with an Irish Linen wrap - a lot of people are concerned because they get dirty - well, forget it - they are designed to get dirty; they're designed to absorb the moisture out of the hands, pick up the dirt from the table, etc. It's just going to happen - you can't keep it clean so don't be concerned. Some people like to try and clean a wrap. I advise against it for two reasons:

1. You're putting moisture into the cue - you can't clean a wrap without putting moisture into it. That's bad.

2. You're going to be destructing the Irish Linen, because if you get in there with a tooth brush or whatever, trying to get all that dirt off, you're going to be tearing the fibres of the linen.

When it happens, if it happens, about the only thing you can do to get it smooth is go ahead and rub it down with some 600 sandpaper and then take some paraffin, or wax paper, and just scrub the wax paper over it real hard, then get a piece of a grocery bag - brown bag - and rub that wax in real good. By now you've got it all pressed down and you have a decent feeling again. But I really recommend against anybody cleaning their wrap, because all you're going to do is make a mess. It's better NOT to do it all.

If the butt should warp, there's not much you can do about it. Any good cue maker has taken all precautions to prevent it, so if it happens, it's on of those unfortunate things and if it's sever enough to make you want to get a new cue, that's what you ought to do.

Back to Introduction

Some Major Don'ts!

On a cue, there are several things you do not want to do. Here are just a few:

DON'T

  • Bang it on the table - great way to kill a cue.
  • Throw your cue. - Remember, for most it's just a game. No one should get mad enough to want to throw their cue.
  • Bend it - Some think that bending it will straighten it more. But you could be just making it worse!
  • Slam the butt on the floor - Some people tap to applaud a great shot. Some however SLAM it down when they make a bad shot. This is not good for the butt of the stick.

I think the best case for a cue is the fellini because they're virtually air-tight, heavy PVC walls inside, heavy leather, heavy sheathing. If I've got to leave my cue in the car, that's what it's going to be in, but you don't want to leave a cue in a car. If it's like today - 100 degrees out there - you're looking at 200 degrees inside the car. That eats into the glues, the wood, everything, and it's hard to go in and start playing with a cue that's had every piece of glue just softened up. Anytime you do go into a radical temperature change and you wan to use your cue, give it a chance to get acclimated. That may be 15, 20, 30 minutes, depending on how bad it is, but it's brutal on a cue to leave it in a car. You go in in the winter time from the cold into a warm room, you have to do the same thing. You have to let your cue warm up, slowly, not fast. You go up there and you start pounding on the cue in a 9-ball game, or something, from the cold, then the glues are brittle, just frozen solid. You pop on that thing, and the glue breaks. I don't care if it's in the very heart of the cue, it's still brittle as it can be. So don't leave it in the car, and when you do, out of necessity, just give it a chance to get back to a normal temperature.

I know you've all seen people rack the balls by putting the cue between their legs and coming over and leaning on it. If you really need a wash-board, that's a great way to get it. You'll just destroy the lower part of your shaft. When you're racking the balls, lay your cue on the table, or if your opponent has rolled the balls up against your cue and you don't like it, then lean it up against a wall. Get it out of the way, but don't lean on it while you're up against the table.

Something else I don't think anyone should do is loan their cue. There are a couple reasons:

1. The other guy doesn't have his money invested in it. He is not going to be as careful with it as you are. He won't intentionally hurt it, but it happens - whether it's up into a light fixture, or leaning on it while raking the balls - whatever - and you will not be very happy about it.

2. The way you hit with your tip. He's going to hit differently, and when you step back up there to hit with that tip that poor tip's thinking "What's happened to me? I was all trained and now I'm all confused." It'll respond differently, because he's got different facets built in there for different reasons - whether bone structure, muscles, whatever. So, you're just better off not to loan your cue.
Back to Introduction

Bottom line is, protect your cue, it's the best tool you own to play better pool.

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